Monday, June 11, 2012

Why I love fantasy! ~ guest post by Ben Hennessy

Here at The Speculative Salon, we're very pleased to introduce a wonderful new fantasy author, Ben Hennessy. He's sharing his reasons why he loves fantasy, things I'm sure we all love! Be sure to check out his debut book, Queen of the World.

I love fantasy.

It’s bloody marvellous. You’ve got elves and goblins, fairies and orcs; creatures with ears of startling proportions. Old men stealing impressionable young children from their homes to teach them magic tricks without anyone wondering what the hell they’re doing. Big, looming evils threatening the world with voices so gravelled you could use them to stone your driveway.  Dragons, that bastion of all things swords ‘n’ sorcery, defying gravity and the very physics of flight by soaring with grace through the cold winter skies. Wars between races raging hundreds of years, sometimes for territory or expansion, but often just because they look and act strangely (A bit like the real world then, ho ho ho...).

Now, you might have noticed I’m picking out some obvious clichés in fantasy fiction and, perhaps, making fun of them. I’m not trying to be snarky here. I’ve written a fantasy novel, Queen of the World, so if I was trying to mock the genre I’d be pretty much shooting myself in the foot. I wasn’t lying when I said I love all of it. But the above paragraph isn’t far-fetched. Fantasy does have its stereotypes which have engrained themselves into pop culture. Same as gritty noir stories, about the hard-boiled detective sitting in a smoky office when the pretty woman turns up, (sexily) hiring him to find the man who’s trying to kill her. Or perhaps the action hero single-handedly storming an enemy compound, armed with a machine gun and a couple of hand grenades, who manages to utterly decimate the place without sustaining more than a few photogenic scratches. To the average person, fantasy means hobbits, swordplay, Merlin and dragons.

So why point this out? Visitors to the Speculative Salon probably have a fair grasp of the world of fantasy fiction. I’m not exactly revealing anything new. And that’s the crux of this flighty little guest post. Fantasy fiction succeeds in unison with all the clichés and preconceptions. A good writer and a strong story, populated with interesting characters, drag us in because we know what we’re getting. A whole world created for us by the author. Something we already enjoy, but in a way we haven’t seen before. Are all fantasy novels rip-offs of Lord of the Rings? No, and damned right they shouldn’t be. Do fantasy novels generally deal with similar themes? I’d argue yes.

 It isn’t important for our hero to pull up in a Toyota and step outside to light a Marlboro, before casing out the local Starbucks. Why? Because the author creates his-or-her own cultural highlights, deciding what they drink, eat and wear. Maybe the characters ride horses, maybe they ride snakes. Maybe they ride sharks through an underwater location. (In fact, I should make a note of that. Shark mounts would be amazing.)

The citizens of a fantasy world would probably find Easter to be a hilariously odd holiday – a giant rabbit gives out chocolate eggs to celebrate the death of a man two thousand years previous! – and that’s fine. Why? Because authors give them their holidays. The national religion, the remembrances and the important dates.

Fantasy authors can create languages, icons and deities. They can produce fables, myths and legends. It’s all up for grabs, and it’s all thematically set to a backdrop of majestic scenery, towering cities and salt-of-the-earth heroes. Throw in a dwarf or a gryphon here and there to see if it works. If it doesn’t? Take it out again and try something else. There are no limits when you’re world building. There are no restrictions when you’re crafting civilizations. This is why I love fantasy. When I pick up a new novel from an author I haven’t heard of before, it’s like stepping through that cupboard into Narnia all over again. I’m trusting them to give me a whole new reality to lose myself within, and ready to open my mind to all of their creations. We, as fans, know what we’re getting, and yet it can always surprise us. Hopefully, Queen of the World will provide that same comforting sense of immersion, while maintaining a sufficient sprinkling of originality which defines each novel from the next. We don’t need elves, old wizards and diabolical evils every single time, but we do need that grand flavour so specific to fantasy. It’s why we keep coming back for more.

Blurb Queen of the World~
 
In the legends, the Four saved the world from war and poverty. These incredible men walked the lands, seeking an audience with the ruler of each nation. They demanded that humanity focus its efforts on education, trade and culture. No longer would the people face starvation and terror. This commandment was enforced with displays of miraculous power. After all, it is difficult to argue with the Gods. Once finished, the Four left with a promise: If ever your people fall back into darkness, then we shall return.

Now, over five centuries later, Sarene grows tired of her village life. Suffocated by the confines of her surroundings and the overbearing protection of her family, she yearns to have an adventure of her own.

But the world outside is not as tranquil as it seems.

And Sarene is already in danger.

 
Author Bio~
Ben Hennessy is an exciting new author from Essex, England. Brought up on a literary diet including the likes of Stephen King, David Gemmell, Terry Pratchett and David Eddings, he looks to take all these elements and create a unique style of fiction which blends heroic fantasy and a subtle sense of wry humour. Having spent the last decade working various jobs in locations such as Ireland, New Zealand and Vietnam, he is now hoping to forge a new career as a full-time writer.

His debut novel, Queen of the World, is scheduled for release Summer, 2012. Due to be published by Inspired Quill, it tells the story of a young girl who finds herself at the centre of a whirlwind of political ambition, deadly creatures and men who are as Gods.

When he is not poking his keyboard, Ben enjoys travelling the world, finding new music and crashing parties.

Author Links~ 
 http://www.hennessywrites.com
Twitter, @HennessyWrites

Saturday, June 9, 2012

Can A Magical Symbol Grant Your Wish?

Dr. Quandry Sigils
Magic.  I love stories with magic.  The mere idea that we can use a tool as an extension of our mind, whoa…thrills me.  We know about wands welding magic to do our bidding. How about a magical pen and paper? 

What I’m talking about is a power symbol you create with a pen and a piece of paper called a sigil. 

“Sigils are monograms of thought, for the government of energy…a mathematical means of symbolizing desire and giving it form that has the virtue of preventing any thought and association on that particular desire (at the magical time), escaping the detection of the Ego, so that it does not restrain or attach such desire to its own transitory images, memories and worries, but allows it free passage to the sub-consciousness.  A.O. Spare, “The Book of Pleasure”

The modern version of the sigil is comprised of a statement of what you want, which is then broken down into an abstract design and finally charged by your energy.  The idea behind the sigil is that the conscious mind is limited in its ability to do magic and therefore you must enlist the help of the subconscious mind.  It’s a way to trick your conscious mind to look the other way, while your higher mind does the hocus pocus.  It’s simple, but they (those in the know) say it works.

Here’s the quick and dirty how to make a sigil:
1.  Get pen and paper.
2.  Write out your wish being brief, to the point and always in the positive.
3.  Turn the statement into a picture or a graphic image.
4.  Charge the picture with energy.
5.  Ground yourself and then forget about the sigil.  That’s an important point to remember. And you must believe and let it go.
Okay, let’s try it out.
1.   This is my wish to see a white rabbit.
Please note, I live in the mountains so my chances of seeing a beige colored rabbit is high.  Seeing a white rabbit in the mountains is near to impossible, unless my name is Alice.
2. Next, I scan the letters and cross out any repeating ones, as follows:
This xx my wxxx xo xex a xxxxx rxxbxxx.
Which leaves me with the following letters:
Thismywoearb
I have now simplified my intent, the first step in tricking my mind.  After all, it’s nothing but a row of letters, right?
3. Okay now for the fun part.  Take your pen and paper and make a rough sketch linking the various letters together.  There are no rules here.  You can line them up in any manner you wish and then
simplify it. 

You want to simplify the shape so you can easily remember it.
4. Now, it’s time to charge the sigil with energy.  How you might ask?  It’s a matter of putting yourself into a trance-like state where the world disappears.  Imagine yourself dancing like the Whirling Dervilishes that is the state you’re going for. Get yourself pumped up and then visualize the sigil in your mind’s eye.  See it big, neon-like, then let it go to nothingness and stop your dancing.

5. Time to ground yourself.  First destroy the sigil, and then do something completely different.  Immerse yourself in nature to bring yourself back to reality.  Or go wash the dishes, do the laundry, walk the dog, any mundane job that is grounding.
6. Last thing to do.  Forget about the magic ritual you just performed and release it out to the universe. 
That’s all there is to it. 
Here are some links if you want to know more:
What do you think?  Will you give it a go?
Till next time,
Elizabeth

Thursday, June 7, 2012

JAPANESE MYTHOLOGY - THE INSPIRATION FOR GHOST WIND ~ guest post by Mitchel Rose & Calvin Daniels

The scouts here at the Salon are giving a big welcome to speculative fiction authors Mitchel Rose and Calvin Daniels. They're sharing about the Japanese mythology that inspired their fascinating collaborative effort--Ghost Wind.  


JAPANESE MYTHOLOGY - THE INSPIRATION FOR GHOST WIND 

Ghost Wind 1: The Torn Veil is the first in a series of fantasy adventures set in the 1920s.  They chronicle the adventures of ninja warrior Ghost Wind in the fictional city of Granton City.  The story not only evokes the gritty crime fiction of the pulps, but also weaves in strong fantasy elements, supernatural creatures and fantastical dimensions.  For inspiration, we delved into Japanese mythology exploring the wealth of diverse and fascinating myths and legends of that country.


Playing a key role in the story, are the Oni, a race of mythical creatures from Japanese folklore.  The Oni are commonly associated with demons, devils, ogres and trolls, and play a dominant role in Japanese Art, Literature and the theatre.


They are generally described as monstrous, demonic creatures with fangs, claws and horns on their heads.  For Ghost Wind, we re-imagined the Oni as coming in a variety of different shapes and sizes, from noble humanoid warriors to monstrous behemoths of metal and flesh. 

Originally the Oni were believed to be invisible spirits who secretly plagued the human race through disasters, droughts, plagues and other horrible things.  We developed this premise, with the Oni in Ghost Wind secretly manipulating the affairs of the human race and using human agents to carry out their inscrutable agendas.               


Another idea associated with the Oni is the Demon Gate.  This was the north-eastern direction which all evil spirits went along, causing misery and turmoil.  In Ghost Wind we had the concept of the Veil between out world and the supernatural, through which the Oni were able to pass through.


Another important mythological figure we incorporated into Ghost Wind was the Kitsune.  This is the Japanese word for fox, and foxes feature very heavily in Japanese folklore.  In ancient times, foxes and the people of Japan lived closely together and many myths and legends arose.  Most prevalent is the belief that kitsune are the servants of the Japanese deity Inari.  In Ghost Wind one of the main characters is a kitsune, an elegant white furred fox.  Traditionally, white kitsune were considered benevolent, serving as guardians and creatures working for the side of good.  We took this idea, making our kitsune an ally and guide to the book’s eponymous hero. 


Kitsune are traditionally believed to be wise and long-lived, qualities we brought to our fox spirit, but also mischievous and something of a trickster which again we incorporated into our character’s personality.


Another important feature of the kitsune, were their ability to take human form.  There are many tales in Japanese folklore of kitsune changing shape and becoming lovers to ordinary mortals.  We explored a similar idea, but whereas it is more usual for a kitsune to appear as a beautiful young woman, the kitsune of Ghost Wind takes on the guise of a handsome young man.  Complications ensue when the kitsune becomes romantically entangled with the girl Ghost Wind is in love with.

There were many more influences and inspirations which we weaved in with our own inventions, and we sincerely hope people enjoy reading the book as much as we enjoyed writing it. 

GHOST WIND Blurb~ 

In a remote monastery in the mountains of Japan young Yoshi Kobayashi is trained in the ways of the ninja, forged into a deadly weapon, his instincts and fighting prowess honed to perfection. He is the ultimate warrior. He is the Ghost Wind. Indentured into the service of Japanese crime lord Hideki Yakamura, Yoshi is sent halfway across the world to the glamour and madness of 1920s America and the gritty streets of Granton City. Plunged into a seedy underworld of gangsters and speakeasies, Yoshi soon realises nothing and nobody are really what they seem. Yakamura is no mere mobster, but in reality an ancient sorcerer and the target of powerful supernatural forces hungry for his power. Yoshi becomes embroiled in a dark and terrible war beyond the Veil between worlds which only he alone can put an end to. In the climatic battle to come Yoshi is forced to choose between his duty as Ghost Wind and the woman he loves. Supported by strange allies and beset by monstrous enemies is he strong enough to stop the legions of darkness from conquering the earth when the Veil is finally torn?

GHOST WIND Excerpt~

Ghost Wind moved with deadly grace deflecting their clumsy attacks with sharp jabs and kicks. The screaming tide of horror and panic strained against the iron binds of his discipline, threatening to engulf him in blind terror. He ducked the swipe of one cadaver but lost his footing in the soft ash. With shocking speed the thing was on him pinning him down hard. A turgid wave of rotting meat almost made him gag. Gobbets of purpled flesh hung off the creature’s swollen face. A mouth of jagged fangs swooped down on the warrior's exposed throat.

His training deserted him surrendering over to a primal animal survival instinct. He cried out and pushed with all of his might. The cadaver’s hold loosened and he launched himself forward, his momentum enough to knock his opponent back. Desperate fingers quested for the putrid chunk of gristle that was the monster’s throat. Ghost Wind's teeth ground together as he yanked hard, literally pulling the thing’s head from its body.

He jumped to his feet again his body poised in a fighting stance. The abominations circled him. Though they were slow and shambling they were relentless. Ghost Wind could not stop them all.

Purchase Links~ 

Barnes & Noble



Wednesday, June 6, 2012

YA Release: Rupture by Curtis Hox

We are pleased to present a promo stop for Curtis Hox's new YA title, Rupture, Book One in the Transhuman Warriors Series. Enter to win one of five free Kindle versions below. Enjoy!



Rupture
Book One Transhuman Warrior Series
By Curtis Hox
Genre: YA Dystopian Fantasy


Check out the blurb:

Simone Wellborn is a Transhuman with an attitude. She’s been genetically engineered from birth to be super smart. The problem? All that tinkering her parents paid top dollar for provided a few unexpected results, like an annoying ability to blast telekinetic energy at the worst possible times. She also has another tricky issue: strange entities possess her and, worse, transform her into something dangerous.

Simone's mother sends her to the Sterling School for reject Transhumans. While there, she meets a few other students with similar problems. They’re all Transhumans with dirty secrets. Heartthrob Hutto Toth is a charming gladiator. He annoys Simone from day one, but he’s also a Werebear who accidentally killed a boy in a glad match, and Simone can’t stand how much she likes him. There’s two-foot tall Wally Dorsey, who’s determined to pilot a personalized mech. His best friend, Beasley Gardner, is a mountain of a young girl with enough muscle to beat up any boy at school, but she’s suffers from a rage disorder. Finally, Simone meets Kimberlee Newkirk, an unassuming Succubus who fears she’ll kill the next boy she kisses.

These defective students find themselves at the center of a deadly conflict when another student, Joss Beckwith, attracts a Rogue Artificial Intelligence, the new power brokers in a society radically changed by science and technology.

The Transhuman Warrior Series tells the story of Simone and her friends as they’re transformed into highly specialized human weapons. They must challenge the increasing power of the Rogues as these enemies push into Realspace with one goal in mind: total domination.

For more information, check out our website or visit the Transhuman Warrior Series page.

Read the excerpts:

Rupture
Excerpt One: Simone Wellborn

"Sterling is for rejects. Tranz rejects."
The words exploded out of Cooter Dawkins' mouth before his girlfriend, Simone Wellborn, could stop him.
The two of them sat across from each other in a booth at Mo's Coffee Shop, Cooter gripping a can of Dr. Pepper, Simone a mochachino topped with a mountain of whip cream.
Simone was an attractive girl with jet-black hair that stood out in two flaring pigtails. She wore baggy clothes that hid a lean but athletic body. She wasn't much more than a hundred and ten pounds, soaking wet, and Cooter was over six-feet tall, and his shoulders were so wide she had to lean to the side to see who walked in.
“Oh, great,” Simone said.
"What?" Cooter swiveled in his seat as if his life depended on it. He spilled his soda all over the sleeve of his navy-blue Ellington Preparatory letterman jacket but kept his eyes glued on the oddball walking to the counter.  "Tranz."
The little Transhuman was only two feet tall. He wasn't an infant, or even a dwarf. He was proportioned well enough to look like a shrunken teenager who might do some ollies on a shrunken skateboard. He even wore shrunken clothes.
"Look at that,” Cooter said. “He's wearing a sweet pair of Bermudas, probably special ordered from Freaks-R-Us."
"Shh," Simone replied and pulled on his sleeve. "Don't let him hear you. I know who he is."
Cooter faced her. "So? What's he going to do? Ever since the Sterling freaks started coming to town, everyone has to walk on eggshells. Fuck that. Just because you're transferring there doesn't mean I have to like it."
The coffee shop wasn't a big store, but like most of the businesses in Cranton, Georgia, it was located on Jefferson Davis Road, where the stores lined up one after the other along the only strip in town. Simone liked Mo's because of the mismatched couches, the free WiFi, and the posters of pop stars all over the place. She wondered if the little Sterling student had taken a cab because he was too short to drive, and the Sterling School was several miles out of the town limits in the countryside.
"I wonder how he got here," Simone said.
"Maybe he walked," Cooter replied, then burst out laughing.
The defective Transhuman looked their way. He carried a huge can of soda in his hands, way too big for him, and it was enough to make Cooter laugh again.
"Shh—"
"Don't get your titties in a twister, Simone. Deformed Tranz like him should stay locked away in their school for the fucked-up-and-useless."
Simone sat up straight and considered getting nasty with her jerk of a boyfriend because that two-foot tall Tranz also had a premium intellect package—at least that was what she'd heard.
Cooter continued. "Otherwise, they'll be coming to town all the time. Soon, they'll be cruising up the street, hanging out at the movie theater and game store, and probably applying for summer jobs."
And Cooter couldn't have that, she knew. Cranton was a regulated township for the privileged and wealthy, like Cooter's family, and hers. "He didn't do anything. Leave him alone, Cooter. I'm warning you—"
"Hell if I care what you do. You've been a pain ever since you got kicked out of Ellington. He's one of the Sterling freaks. And don't say a thing, not after Dustin got killed."
"It wasn't this kid who did it—"
"Doesn't matter."
As the little Sterling student neared their table, he almost dropped his soda. It was slick with condensation; he used his entire shirt to wipe it down. "Just want a straw. Can you get it for me?"
His voice was faint and tinny and caused Cooter to sit rigid. He glanced at the sugar counter. "Get it yourself, freak."
Simone stood and admitted to herself it had been a mistake to spite her mother by dating Ellington Prep's star quarterback. She smoothed out the oversized clothes she always wore and considered telling him off but said nothing to her boneheaded (and soon to be) ex-boyfriend. She glided to the counter, grabbed a straw, bent over, and handed it to the little guy.
"Hey, I'm Simone. He's an idiot."
"I'm Wally."
Cooter snorted. "Lucky you she's so nice. I could strangle you with that straw." Again, laughter. And then to Simone: "I'm an idiot?"
Simone and the stranger from outside of town both saw that Cooter was only half kidding. He may have been the best-looking guy around and so socially acceptable and perfect it made Simone’s mother insane with annoyance, and, worse, he'd been engineered by his rich parents to be what he was: Mr. Perfect, but Simone had always known he had a mean streak. He was everything wrong with their new society: Unforgiving. And that made them worlds apart. And, damn it, she hated it when her mother was right.
Wally backed away, eyes locked on Cooter.
"How'd you get here?" Cooter asked.
Wally took another step, almost stumbled.
Cooter slid out of the booth. Simone moved to hold him back, but he pushed her aside and she stumbled backward.
"Ow!"
Another local, a young natural girl, saw it from behind the counter, but did nothing. She obviously knew who Cooter was and didn't want to piss him off. She stood with her hands at her sides, and watched.
"Yo, turd man," Cooter said, “how did you get to town on those little stick legs?"
Wally remained calm but kept backing up, his eyes on the massive young man in front of him. They were so disparate in size that Cooter could toss him across the room.
When the door opened and a figure appeared, Cooter was only one step away from maybe giving Wally a goal-winning kick. The new man was Cooter's equal in size. But he was dressed in a black woolen robe that hid his hands and feet and made him look like some mendicant friar in need of a bath. His long hair hung in strands from his head, nearly covering his face. His skin was sallow, as if he'd never been in the sun a day in his life.
The coffee girl bumped into the espresso machine behind her and spilled a jug of milk.
Cooter paused in mid-step as if someone had used a remote to freeze him. He put his foot back where it had been, not where he'd intended it to go.
The stranger scanned the room. "Wally, get in the car." His voice was soft and broken, and very weak, as if he'd been screaming all night from the bottom of a well.
Wally seemed saddened by what was happening, paused, then turned and walked out.
"Miss Wellborn," the man said, "I'm Coach Buzzal Vaughn. We'll be seeing you later today at Sterling?"
She nodded. "Yes, sir."


Excerpt Two: Hutto and Wally

That night Hutto and Wally sat by the window in Wally's fifth-floor dorm, looking across the courtyard toward the girl's wing. The RA had told them all the racket was coming from the new girl's room. They could clearly see movement through the half-open blinds. Simone seemed to be sitting on her bed, flailing her arms every few seconds.
"Cat fight," Hutto said. "Mom against daughter. God, I wish I could see that."
"Mom would win," Wally said.
"Hell, yeah."
Hutto had knocked on Wally's door hours ago and only planned to stay a few minutes. Hutto was surprised at how cool his room was. Someone had made a fortress for Wally. A miniature wooden ladder led to a loft with railings and several interior structures. Wally had an apartment within an apartment. Hutto could see several cushions, a bed, a mini-fridge. He even had windows and low-energy light bulbs in there.
"Home away from home," Wally said.
He'd created a secondary platform under the top of the loft so that he could sit eye-to-eye with any guests. A comfy, regular-sized loveseat meant anyone sitting would actually be a bit lower than him.
Wally couldn't decide what he liked better: Hutto or the cat fight. He kept flitting his eyes back and forth. He had the finest specimen of masculinity right in front of him, a young man bred to fight, to become a warrior hero. Beasley was great and all, and his very best friend; she'd tear down heaven for him. But she was withdrawn, sullen six days out of seven, and damn near impossible to cheer up when she decided a funk was in order. Hutto, on the other hand, always had a smile, a joke, and a story to tell.
"Did you see her mom tonight?" Hutto asked.
Wally nodded vigorously. He let his legs hang from the platform under his loft. A foam cushion underneath would catch him if he jumped off (usually he targeted the loveseat). "She kicked their asses."
"Yes she did. Do you have any idea what we saw tonight?"
Wally did, but he wasn't sure if he should say. "Psy-sorcery."
"Hell, yeah!" Hutto looked like he would have jumped to his feet if he'd had space. "I've heard my brother Nisson talk about it. He's ... been around that stuff."
"The Megamech pilot?"
"That's Almont." And then, as if on a side note he'd return to later, he said, "Nisson used to glad fight, until he got in trouble."
Wally nodded and waited, hoping for more info on Hutto's infamous brother who'd been banned from glad fighting. Everyone had wondered when Hutto would bring him up.
"The psy-sorcerers are one big fuckin' mystery, man,” Hutto said. “What do you know?"
Wally knew enough not to speculate. The fanboys could go on for hours about who was the most powerful Consortium agents: the original cy-warriors, Cybertranshuman Interfacers like Rigon Wellborn who used the vast resources of parallel processing computing systems, the same ones the SAIs used, to surf Cyberspace as disembodied persons; or the new psy-sorcerers, psychic Altertranshumans like them who somehow used their minds and bodies as weapons that channeled and summoned strange powers called entities. "The son versus the mother—"
"They're both Wellborns."
Wally knew who the Association members were, of course, but he didn't correct Hutto. "What a family."
"Reminds me of mine." Hutto leaned forward after catching more movement in the far window. "They're really going at it. Looks like her mom is yelling back now. Listen." They could both hear the yelling, nothing distinct, just enough edge to be of interest.
"The new girl really messed up," Wally said.
"But mom saved the day." Hutto smiled, while he watched, as if he was hoping he might spy them naked. "And, boy, is mom hot."
"She's natural—"
"I mean hot in the way she moved. Did you see it? And the way she jumped in and just smashed that evil shit. She could fight in the open leagues."
"Not while she's Consortium—"
"Just saying. Women like that get me going."
"You're a dog."
Hutto leaned back and ran his fingers through his surfer-boy hair. "You have no idea. My dad said I pull more tail than any of my brothers." Hutto beamed, his face barely scarred, his nose already healed from Beasley's punch.
Wally couldn't help but look at him with open admiration. He was everything Wally wasn't.
Hutto saw it. "Shit, man. Sorry. You, uh, never been with a girl, right?" Wally shook his head. "I'm an idiot." As if he hadn't just spotlighted Wally's deficiency, he said, "What about Simone? I bet she's as hot as her mother under all those clothes."
Wally nodded. "She's scary, though."
Hutto nodded as well. "Like her mom." He edged forward on the loveseat, as if he had a secret to tell. "And what about us? They've enlisted us in some secret program. Are we going to learn that shit?"
Wally had no idea what they would teach Hutto. "Don't you have a rage problem?"
"I got it under control. Only let it out once or twice. Not pretty at all. A kid got killed." The charm extinguished, replaced by something darker.
Wally knew about the Ellington prep kid, a friend of Cooter Dawkins, and one of the reasons Cooter hated Sterling. Wally thought about mentioning that fact to Hutto, but he didn't want Hutto to feel any worse than he did.
"If I didn't have this problem,” Hutto said, “I could be with my family, still training. And that kid would still be alive."
Wally stammered a few insensible words, but eventually said, "You know, all of us are really supposed to be the same. I don't know much about it. But some people say the variety of Alters—Channelers, Summoners, Melders, Animators, Ragers, and Pscyheads, and all the rest—just haven't learned to use their minds properly. I studied this a little because I think I've got the mind thing down. It's my gift."
Hutto looked up. "Controlling machines?"
Wally looked over at the old-fashioned chronometer on a shelf. It was no bigger than a toaster, but he'd lugged it with him to school because it was the first device he'd mastered. "I've always been able to do it."
"You just command them?"
"It's more like becoming them." The clock hadn't been wound in years. He never used it for the time. It's gears were so precisely fabricated that moving along them eased his mind. "Pick a time."
"Huh?" Hutto scrunched is face up in the eternal mask of the confused. "Like lunchtime?"
"No," Wally said with practiced ease. Dealing with guys like Hutto with an intellect package that, apparently, had never expressed in smarts was rare, and Wally knew better than to front an attitude. "Like, on a phone."
"Oh, okay. Midnight."
Wally stared at the old chronometer inside its wood frame with its two hands and the thousands of moving pieces inside. He dove in.
What Hutto saw was the little guy stare at the old clock. But the prickly sensation along his arms and neck told him Wally was doing something to it. Hutto rubbed his forearms and mumbled under his breath. He'd felt the same thing in the clinic, as well, and had had about enough of that stuff for the night, although the memory of Simone's mom in that super-hot silver Bodyglove caused another sort of excitement.
He forgot her when he saw the hands on the clock move. They began winding forward, clicking through the minutes and the hours, faster and faster. He could barely see Wally's eyes, but he saw them staring wide open at the thing.
"Oh, fuck, more freaky shit at Sterling."
The hands stopped at twelve o'clock.
Wally turned, smiling, as if he'd just knocked a guy out with a clean cross.
"Aren't you full of surprises?" Hutto said. He returned to the edge of his seat, the expected enthusiasm bursting again. "I got a trick I can teach you. You know how to unhook a bra strap?”

Enter the Rupture ebook contest:


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About Curtis Hox:


I’ve written six unpublished contemporary, literary science fantasy novels in the last decade, all of which I finished and promptly put away. I didn’t even let my wife read one until this year. (I know, ultra critical and self defeating as hell, but that’s me.) I did rounds of agent hunting with little luck, and since everyone is talking about epublishing, I thought I’d give it a try by writing a series of three YA novels with all the juicy stuff I love from Sci Fi and Fantasy and just have fun with it. I’m also forcing myself to be open to everything that goes along with the business side of marketing without griping, “Frack it! I just want to write.” So this site will, at first, probably be a bit about process, plus be a place for me to explore ideas related to my projects. Then, if all goes well, a way to market my novels.

As of now, we’ve soft launched Bleedover, a contemporary science fantasy novel I wrote a few years ago. We’re using it to learn the marketing side, while I finish working with an editor on the first three books in my Transhuman Warrior Series, the fun YA novels I wrote last summer. These have all been drafted, with covers. And Rupture (Book One in the Transhuman Warrior Series) is in round two of the edits.

Monday, June 4, 2012

Old-fashioned Paperback versus Modern E-Reader

For Mother's Day, my family decided to all pitch in and buy my mother a Kobo (Canadian equivalent to the Kindle e-reader). She's a voracious reader, (which she thankfully passed down to me although she despises vampires and werewolves) and like my house, she has books everywhere. Usually for any special date or event with my mother we give her books, so I could see the look of disappointment on her face when she opened the Kobo.

I have the original Kobo with no bells and no whistles. It's ancient and people laugh when they see me out in public with it. So when she had some problems downloading books, I offered to help as I have downloaded dozens (and dozens) of e-books. When I was showing her how to download, she asked me if I really enjoyed reading books on a Kobo better than reading a paperback (which she referred to as a "real book").

I had to stop and think about my answer carefully because I like them both. I love to read books. I also love to go to the bookstore and just wander aimlessly for hours and study covers to figure out my next buy. I also love to buy books and place them on my shelves. I have eight shelves full of books. Some I've read several times, others are sitting on my waiting to read shelf. There is also nothing better than sitting on the couch or lying in bed and pulling back the cover of a book. I love the feel of the paper between my fingers and seeing just how far I've got to go until I reach the happily-ever-after ending. I also love to buy the entire series and have sitting right there for me to admire.

The drawback of the paperback is that they take up space - a lot of space and I don't want to get rid of them. I've got books marked with colored sticky notes hanging out of them for me to study a certain passage or how the author does something well or not so well.

I also like the Kobo because it is easier to take to work to read or on a trip and I don't have to worry about creasing the cover in my purse (I like my books in nearly perfect condition). It's easy to download and I never have to leave the house to buy the book. I have it within minutes, no matter when or what time I've ordered it. It's also easier to read with the baby in one arm and the Kobo in my other hand. There are also many books that are not in paperback form that I would be missing out on if I didn't have an e-reader. And the greatest reason that I love my e-reader is because I can sneak buying another book and my husband sees no evidence on a shelf. :)

The drawback of an e-reader? You just don't have the paperback in your hands and you can't see it on the shelf. With my ancient one, I also can't highlight or mark pages or passages, but my mom's can.

I answered that its a toss up and both have pros and cons, but I told her to give it a try and let me know in three months. I don't see myself not buying paperbacks or e-books. I'm still a paperback reader at heart.

What is your preference? Do you prefer to reach for the modern e-reader or the old-fashioned paperback?

R.J.

Saturday, June 2, 2012

Another Look at Steampunk Tales #1

Artist Melita "missmonster" Curphy
The Speculative Society Book Club’s first selection is Steampunk Tales #1, an anthology of ten stories published by Steampulp Publishing LLC.  I must admit if this wasn’t our book club choice, I doubt if I would have bothered with it. 
When confronted with an unknown book, I usually look at three things to decide whether to read or not to read.  I mean if I’m going get cozy on the sofa with a stranger, the unknown book, I want to be darn sure it’s going to be a worth the time. 
So, first thing I look at is the cover.  Okay, bad me.  I do judge a book by it’s cover.  For the cover of Steampunk Tales #1, I give it a five out of a ten.  The artwork is good but the concept screams, predictable.  Girl, googles, gloves, scarf, gun, and dirigibles. 
Second, I look at the blurp.  This is the description on Amazon.  Emulating the style of the pulp adventure magazines of the 1920s and '30s, Steampunk Tales contains first-run, original fiction written by an A+ list of award-winning authors. Issue #1 contains 10 stories, each running between 4,300 to 11,000 words, for an unbelievable price. Authors contributing to issue #1 include Jay Lake, Catherynne M. Valente, SatyrPhil Brucato and G.D. Falksen. The cover art was painted by popular artist Melita "missmonster" Curphy.”   Nothing in that pushed any of my buttons and enticed me to read on.    
But I did.  I read the first tale called Project Mobius-5 by K. E. Kendall.  How many times have you heard how important the first paragraph, the first five pages, the first chapter are to keep the reader reading?   I think this bit of advice was lost somewhere in the time continuum and I stopped reading.  
There might have been better stories to read in the anthology but not by me.  After all, time is precious, so when I spend time with a book I want to feel like I’m walking with a friend down an unfamiliar road.  
Till next time,
Elizabeth

Friday, June 1, 2012

Steampunk Tales #1 Book Review


Congratulations Speculative Society for the finish of our first month! Thank you everyone who joined us in our book club.

Steampunk Tales #1 earned the first book-to-read prize. The tales ranged from zombies to metaphysics to adventure. You will find a story to fill your steampunk needs in this collection but not every story will meet your expectation. It is a mixed bag of great stories and not so great stories. Yet the gems I found were worth the price of the collection. 

From the stories my standouts are Catherynne M. Valente's The Anachronist's Cookbook, Brian Rappatta's The Reanimation Emporium, and Noel Black’s The Man and The Robot. Of those three my favorite is The Man and The Robot. That is one short story that will leave you thinking for hours after you are done. I still don’t know if I’m horrified by the contents or not. The message is very powerful and may or may not be clear to you by the end.

The price is reasonable for 10 stories but it is only available in eBook format. Take the chance and pick up Steampunk Tales #1.

Remember to visit our Goodreads page and vote for our next selection.
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