The
spirit of the forest, Elanraigh, speaks to a young girl, whose own spirit rides
the wind in the body of a Sea Hawk. Oh,
I love the magic in that image. I enjoyed reading this new YA Fantasy,
Elanraigh – The Vow and getting to know the author, S. A. Hunter. Please note, Sandy is also presenting to one lucky
commenter an ebook of Elanraigh.
Cover Art: Amanda Kelsey |
Welcome
Sandy to the Salon,
How
long have you been writing? What was the spark that started you to take up
writing seriously?
I’ve always had an imagination working in
overdrive. That being said, I was in my late 30’s before I finally submitted
anything to a publisher. I was taking a creative writing class at Douglas College and at the instructor’s
suggestion submitted a science fiction short story to On Spec, where it was
accepted. Since then I’ve had other fantasy short fiction and poetry published,
Elanraigh, however, is my first novel
Elanraigh was six years plus to write in its
original form (I later adapted my first manuscript to YA). I was working full time
with lots of night meetings, so Sunday was only available time to write. I’d
usually try to get a least four straight hours in. I’m very grateful that in
those days I belonged to a fantasy writers group, we met once a month and I was
determined to submit chapters each meeting. Published authors all, their critiques
were always of value--the meetings kept me highly motivated.
What
was the inspiration for this book?
In 1995 I read an intriguing article in the
Vancouver Sun,
titled “Lumber firm wails the blues over “singing forest”. Apparently a local
tree planter had a spiritual experience in a forest near Tenise Creek; she
says, ‘something akin to the voice of angels rose from the landscape.” I tucked
the thought provoking article away and some years later, was sorting through my
tattered old file full of various newspaper and magazine articles, the “Story
Idea File” and read the “singing forest” article again. I began to type and
wrote, “The Elanraigh quivered with deep
unease. Forest-mind sifted the westerly wind and breathed its warning.” And
so a sentient forest came to be both a major character and the setting for my
YA fantasy.
What was the most difficult part of writing
this book? How did you get through it?
Do you know, the majority of the writing
was a joy—I was a ‘seat of the pants” writer and the story and my characters
carried me along with them. I’d get in a mind-space where things flowed…sometimes
how it all came together amazed me. What
was difficult was adapting the original 120, 000 wd. story to an 80,000 wd., so
as to be more suited to a Y.A. market. Cutting whole scenes hurt and certain
characters just had to go. However, I had to get through it and get it copy
edited in time for Amazon’s Breakthrough Novel Contest, so I got ‘er done. I
didn’t win the category for the contest but I had a polished manuscript ready
to submit queries on.
Was getting the language for this time
period difficult? How did you go about getting it down for the book? Can you
describe what it felt like during that period of writing?
I’ve read a lot of fantasy that has had
“historical” settings, particularly a medieval feel…perhaps you absorb a feel
for the cadence of appropriate speech…I found it easy to write. With the
“common folk” I allowed more of a ‘dialect” to be present, however, on the
advice of an astute beta reader, I did delete the “thee’s” and “thou’s” in my
original manuscript. As my beta reader pointed out, very few people truly know
how to properly use those today—best to leave them alone. I’m very grateful for
her advice. I do have a great affection for Mary Stewart’s Arthurian novels,
especially “The Crystal Cave” and “The Sword in the Stone.” I’ve read those
books many times, and much admire the writing.
What was the most important stage of writing
this book? Can you describe what it felt like during that period of writing?
I believe I’d say it was the final third of
the book…from the critical battle off shore, and on. Now is when the threads
must be gathered to weave the final pattern…the battle scene was vivid in my
mind as I wrote and the elements came together well, however, two new
characters, Duke Ambraud and the Besteri Mage came into being and I found
myself fascinated with them… I knew I must either play them down, or a sequel
would be in order. I enjoyed writing them so much (villains are such fun to
write, aren’t they?); I decided I would indeed carry the story on in a second
book.
What do you like about your characters? Are
they like anyone you know? Anything like you?
Thera, my protagonist embodies many of the
qualities I would love to meet in a person, well seasoned, however, with human
flaws that have the potential to
become strengths. It was critical to the story that Thera have both the
ability, and grace, to learn from those around her. I like her; I hope my
readers will too J
I must admit I was an only child blessed
with wonderful parents--my father exemplified to me all that was best in a good
man; Thera shares some “only child”
traits (some good, some not) and in my
characterization of Duke ArNaronne, the Duke shares some characteristics of my
father.
That being said, there are many of my secondary
characters I became extremely attached to, and had great fun with, and I’ve
been thinking of delving more into their back stories.
How
did you come up with the names of your characters?
I wanted to keep something of a Celtic
flavour to names, and in many cases to perhaps give my reader a hint of that person’s character…Duke
Leon (lion); Lady Fideiya (fidelity); Nan (just has a homey feel to it). Of the
elementals mentioned, particularly the Elanraigh forest (pronounced Ellen-ray)
I wanted something sounding both Celtic and haunting. The little wind
elemental, so helpful to Thera, is named Sussara (as susurrus, is the sound of
a gentle wind). For the villains of the piece we have Memteth which is more
Sanskrit of origin, referring to reptilian-like. I think naming is a fun component in writing
fantasy.
What
advice would you give aspiring authors?
Read everything you can; both the genre you
love, and other works, especially the classics—read for enjoyment and what you
can learn—how did the author go about engaging you and creating a great story.
Write always--if you’re not engaged in creating a work at present, then
journal. Personally, I found belonging to writers groups helpful-- a “Fellowship
of the Pen”-- and a source of mentors and friends. Critique groups are another
matter, and not for everybody. If you have a work completed, or even an
outline…and if you can possibly afford it… get to a Writers Conference! The
workshops are an invaluable source of information and inspiration. Practice
pitching your idea to actual editors/publishers/agents; a sweaty-palmed
experience…something akin to walking barefoot over coals; however, after,
you’re forever changed.
Write what you love to read—don’t just
pitch to the current commercial trend.
What
can we expect new from you?
A sequel to Elanraigh; The Vow is currently
underway.
Here’s the Book Blurb:
Only Thera of Allenholme hears the voice of
forest-mind…and heeds its warning . Thera doesn’t know why the Elanraigh
forest-mind chose her, of all the Allenholme folk, to hear its voice and to
awaken her gifts of mind and spirit. The Elanraigh sends a warning dream; black
sails swooping toward Allenholme from across the western sea—the Memteth, an
ancient enemy, armed with blue fire that hungers to consume life. As Thera
awakens to her gifts of bonding with raptor birds and reading hearts, the knowing;
she also awakens to love. Will she choose Chamakin the young Ttamarini warrior
who is a kindred in spirit to her, or the polished young nobleman who covets
her beauty even more than her estate? Forest-mind is aware she is yet too young
for such power and responsibility. It has no choice—the lives of all Thera’s
people and the existence of the Elanraigh Forest itself, depend on Thera
fulfilling her destiny. Can she learn what she must of gift, and heart, to
survive what comes their way?
Click on Amazon to buy.
Author Bio:
BR Photography |
Sandra attended school in Victoria, B.C. and later
graduated from the University of British Columbia with a B.A. in English
Literature. After her daughter came along, she chose to work close to home and
indulge her love of animals by working for an amiable, if thrifty,
veterinarian. She believes in promoting the right of all creatures to live the
existence that Nature intended. This value is strongly evoked in her novel.
Sandra’s always lived at the edges of ocean and
forest, so it came naturally to have a sentient forest as a major character in Elanraigh:
The Vow. She loves kayaking the scenic Island coastline, swimming and
walking. She has a ready sense of humor and an optimistic outlook (a good thing
when you’re a writer).
Her publications include Dark Fantasy short stories in
pro magazines and she is currently working on a sequel to Elanraigh: The Vow.
Follow Sandy here:
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Thank you Sandy for the interview and for writing this
enchanting book.
Don’t forget
the giveaway, one lucky commenter wins a copy of Elanraigh –
The Vow, so drop us a line.
Till next time,
Elizabeth