Showing posts with label Urban fantasy perspectives. Show all posts
Showing posts with label Urban fantasy perspectives. Show all posts

Monday, November 11, 2013

Urban Fantasy Perspectives: Interview with Kimberly Frost

We're pleased to welcome Kimberly Frost to the blog today, and I had a blast interviewing her about Would-Be Witch, the first novel in her Southern Witch series. Follow the links to find out where to get your own copy of the book and more titles in the series



Salon: Welcome Kimberly!

KF: Thank you! It’s really great to be here. :)

What do you like best about writing (and reading) urban fantasy and who are some of your favorite authors in the genre?

When writing urban fantasy, I love the possibilities that magic and supernatural phenomena provide. Doing the research on the history of witchcraft, vampires, ghosts, etc. was really cool and definitely fueled my imagination. When it comes to reading urban fantasy, my introduction to the subgenre was through the works of Holly Black and Laurell K. Hamilton. I loved Black’s Tithe so much. And all the early books in Hamilton’s Anita Blake series were fantastic. From there, I went on to read a lot of fabulous authors. I’m a fan of so many!

What inspired you to write about witches, and what makes your particular witches unique?

I chose witches because I liked the versatility that magic provides. The witches and wizards can cast different kinds of spells depending on what the situation calls for. I like variety! In terms of what makes my witches unique, I think it’s the spin I’ve put on how magic works. Some spells are inherently dangerous to cast. Some properties of the physical world are hard to overcome. It’s created interesting complications, sometimes humorous, sometimes sobering, for the characters when they edge into dangerous places.

Tell us a little bit about Tammy Jo Trask and her family’s magical history.

Tammy Jo Trask is a twenty-three-year-old woman from a small town in Texas. She comes from a long line of witches, but initially the family magic seems to have skipped over her. (There’s a reason her powers have been dormant; when awakened, her magic is powerful but dysfunctional.) The witches in her family use Earth magic, so there’s a back garden full of ever-blooming plants and a pantry full of potions made from them. Generations back, her family was from the British Isles. They moved to New York and then migrated to Texas. The reason Tammy Jo was born in a small town is also part of the back story; Duvall has special magical properties and is atop Unseelie fae territory.

Tammy Jo has to seek help from the wizard Bryn Lyons, but she’s always been told to stay away from his family. Can you give us a clue about why that is and what possible repercussions will arise from the two of them working together?

Nope, no clues. I’ve got to save the good stuff for the book ;)

Fair enough, LOL

How do the folks in Duvall Texas respond to magical things, and what are the advantages or challenges in choosing a small town as your setting rather than a big city?

The residents of Duvall didn’t know that witchcraft and other supernatural phenomena existed, but some have caught on. There are those who will embrace the fact, and others who will try to rid the town of anyone with superhuman powers.

I chose a small town for the setting of the Southern Witch series because I love the dynamic I imagine exists in small towns where people have a long history together and know each other’s business. I wanted the story to be filled with quirky characters and felt a small town would have them.

I got such a kick out of seeing Tammy Jo team up with an ocelot named Mercutio; such a fun twist! Are you just an ocelot lover, or did you consider other animal sidekicks?

I’m a huge fan of ocelots and of big and little cats in general. Maybe it’s because I’m a Leo? ;) Anyway, I thought Tammy Jo could use a feline sidekick since she’s a witch, but it would’ve been hard to hide a tiger in a small town. Ocelots grow to be about twice the size of a domestic cat, they are nocturnal, and fight to the death. Really perfect, I think.

What are your favorite kinds of paranormal beings or tropes in urban fantasy?

I really love them all, but vamps, werewolves, witches, and fae are my favorites.

Can you explain your writing process a little? Are you a plotter or pantser?

By nature, I’m a pantser, but flying by the seat of my pants while writing would occasionally get me into trouble when I was a fledgling writer, so I’ve learned to do some plotting up front. I tend to come up with an overall plan for the story and some of the major twists and then I fly by the seat of my pants. That tends to work well for me.

What are you working on now, and can we expect more adventures with Tammy Jo?
I’m finishing up MAGICAL MISFIRE, a Southern Witch novella that comes out in April and SLIGHTLY SPELLBOUND, the 4th Southern Witch novel, which will come out in May. So, yes, definitely more Tammy Jo adventures to come!

Thanks so much for stopping by to answer our questions :)

KF: My pleasure!


Would-Be Witch
Southern Witch Book 1
Kimberly Frost

Genre: Paranormal Romance/Urban Fantasy

Publisher: Berkley (Penguin)

Date of Publication: Re-release September 3, 2013

ISBN-10: 0425267555
ISBN-13: 978-0425267554


Back Cover Blurb:

In the small town of Duvall, Texas, the only thing that causes more trouble than gossip is magic.

The family magic seems to have skipped over Tammy Jo Trask. All she gets in the way of the supernatural are a few untimely visits from the long-dead, smart-mouthed family ghost Edie. But when her locket—an heirloom that happens to hold Edie’s soul—is stolen in the midst of a town-wide crime spree, it’s time for Tammy to find her inner witch.

After a few bad experiences with her magic, Tammy turns to the only one who can help: the very rich and highly magical Bryn Lyons. He might have all the answers, but the locket isn’t the only thing passed down in Tammy’s family. She also inherited a warning…to stay away from anyone named Lyons

About the Southern Witch Series:

In this “coming of age in the world of magic” story, urban fantasy meets humorous mystery in small-town Texas. Plucky pastry chef Tammy Jo Trask comes into her spell-casting powers unexpectedly, and malfunctioning magic makes her a reluctant heroine. As her adventures continue, she learns the secrets of her supernatural heritage and embraces her butt-kicking destiny. Gorgeous love interests and an ocelot sidekick add to the charm of this bestselling book series.



About the Author:

Kimberly Frost is the national bestselling author of the humorous Southern Witch series, which currently includes Would-Be Witch, Barely Bewitched, and Halfway Hexed. After her first release, Kimberly won the 2010 PEARL Award for best new paranormal author.  Her second series featured darker paranormal romantic suspense stories.

These "Etherlin" books launched in November 2011 with the novella, “First Light".  It appeared in the multi-author Christmas anthology, Tied With a Bow, reaching the extended New York Times Bestseller List.  The subsequent Etherlin novels included All That Bleeds, a featured Barnes & Noble “Must Read Romance”, and All That Falls, a Colorado Romance Writers’ Award of Excellence finalist.

Learn more about Kimberly and her books at: http://frostfiction.com/





Monday, August 19, 2013

Urban Fantasy Perspectives: H.R. Jackson

I had a blast interviewing Holly and Robert (writing as H.R. Jackson), the team behind the unique urban fantasy series, The Nemesis Chronicles. Read the excerpts from their latest title, Hand of Time, and don't forget to enter to win your copy in the Rafflecopter contest at the end!




Welcome to the Speculative Salon blog Holly and Robert :)

Why did you decide to collaborate on the Nemesis Chronicles, and what's it like to work together on the series?

Robert: I had the ideas, she had the writing background. Sometimes it can be difficult having two different viewpoints, but at the same time once we make it to that middle ground I know it makes the story better.
Hollie: Agreed. Jack (Robert) has always had this fantastical imagination that’s fascinating to watch. As a child, my family fostered a very deep love of reading and I’ve always had an active imagination myself. When I met my husband, it was like something clicked. We had so much fun letting our story ideas run rampant. So, just prior to the first book, I’d been working on a different version involving two other characters in the Nemesis Chronicles universe (Sam & Bella) but had hit that dreaded “middle of the story…what do I do now?” wall. I started talking to Jack and I realized that we needed to follow different characters, that the story needed to go in a different direction, and that I needed not just his verbal input, but for him to really write Dirk’s story in relation to Morgan’s… and the rest is history. As for what it’s like to write together? Well, I guess it’s a lot like any other collaboration: we don’t always agree, but we’ve agreed to disagree just to keep the peace sometimes, discussions can get heated because we’re both very passionate about our ideas, but at the end of the day, we love each other and that is something we’re trying to reflect in our stories.


Have you always been fans of urban fantasy, and who are some of your favorite authors in the genre?

            R: Yes, actually. I think I’ve always liked fantasy in general. Favorite authors: Jim Butcher & Neil Gaiman.
            H: Oh yes. I’m a huge fan of urban fantasy. I love the idea of the fantastical blended with the everyday, seeing the world around you in a completely different perspective, finding the magic in the mundane. My mom has always been a romance novel fan, my dad loves his sci-fi/fantasy, so you could say it’s in my genes. Favorite authors: Jim Butcher, Kim Harrison, Kelley Armstrong, and yes, Neil Gaiman too.  

Can you explain a bit about the premise of the series and where the idea for Mythics got started?

            R: The premise has always been about having both a strong female and a strong male protagonist, but at the same time showing the differences between having an alpha male character that isn’t portrayed from the get go as an alpha male character, and having an alpha female that isn’t portrayed as being overly masculine with no feminine qualities. I wanted to see a real relationship grow through all the different difficulties people really have. In other books I’ve seen, it doesn’t matter how much of an asshole the guy is or how much of a dainty flower the female is, they end up together at the end because they survived together, rather than by getting to know each other. And it doesn’t seem real. It’s a lot like Stockholm syndrome, in a way.
            The idea for the Mythics was based out of wanting to have a smorgasbord of different characters that could be considered a different race but having a catchall term for all of them.
            H: I’d noticed in many other UF books, the main protagonist is usually a male with these fantastical powers who saves the damsel in distress. On the flip side, if the main protagonist is a strong female, she’s only strong until she meets that “one guy” (or the two guys she can’t decide between) and realizes that she’s been missing that masculine presence in her life, then suddenly her every move is all about what he wants, what keeps him happy. That’s all well and good, but I really wanted to see a female character who isn’t defined by her romantic relationship, and a male character who doesn’t have to be the one to save the day every time. It’s a fact of life that we all are defined, at some point, by our relationships to others, but those relationships aren’t always romantic and that doesn’t make them any less important of a contributor to who we are. As for the Mythics, well, aren’t all legends to some degree “creatures of Myth”? They’re the ones stories are told about. It’s not confined to just “monsters” like Chimeras or Gorgons, Dragons or Gargoyles, Vampires and Werewolves. It’s all those legendary stories you hear about the Spartans at Thermopylae and their stand against the Persian invaders when all seemed hopeless. The Amazons of Scythia who battled against the idea that women couldn’t be warriors. The Viking raiders who struck fear into the hearts of men in shores of distant lands while opening up trade between countries. It’s about gods and goddesses, creatures that exist in both light and shadow, the stuff of magic and imagination.  

If you could be any type of Mythic, what kind would you want to be?

            R: A dragon. Because they do have a vast amount of ability and they’re truly in the middle ground because dragons are usually portrayed as either evil or good when they can have aspects of both just like other humans and Mythics. And you have to treat them with a little more respect than you would any other mythic or human because of what they are.
            H: My first answer would be an Amazon, mostly because, well, I’m short and they generally aren’t. *laughs* But in actuality, I think I’d want to be a Psychomancer. Telepathy, telekinesis, teleportation? Oh yeah.

Tell us a little more about Dirk and Morgan and their journey so far.

            R: Going with the premise that they are two characters thrown together through the series of circumstances in the first novel, they’re compatible as a good relationship but both have to work through their own issues, just so they can truly understand that yes they do love each other and it’s not just because of a freak accident or anything else. They have to get through their issues to really see who they are. And that’s the progression through this book, it’s a journey so you get to see just how they interact and how they grow to understand their love for each other.
            H: It’s sort of a story of boy meets girl, boy wants girl, girl says “what the hell, why not?” Boy and girl go to get it on, lightning happens, and then both of their worlds shift sideways and they have to deal with an unusual bond to each other that neither was expecting while fighting against external sources trying to tell them what they should do. It’s about Morgan discovering that being a loner is great and all, but it’s not weakness to ask for help, that it’s not weakness to give your heart to someone knowing full well it might get broken, that sometimes? You just fall in love when you least expect it, no matter how you say you’re not going to. That she can’t control everything. It’s about Dirk discovering that there’s more to life than being a sex object, that he has an inner strength that eclipses his impressive outer strength, and that patience can yield a great payoff. It’s about the both of them learning that family is important, but that family isn’t always blood, but who you choose to surround yourself with. And it’s about learning what you believe and what you’re willing to do for those beliefs.

What's the story behind the Society, and what are their dastardly plans in Hand of Time?

            R: During the 1300s, in our book, we have something we call the “Cataclysm” take place. Pope Clement V and King Philip IV got together, raided the Templars, and found a cache of relics, imbued objects that made them stronger. Because they were greedy men, it had nothing to do with religion, just pure greed, they were able to use those relics to their advantage, surround themselves with the smartest people. Science was pushed further because they had a blueprint in the relics to show what was possible, and once that spring-boarded everything they started taking over. This was the basis for the Society: Greedy men trying to gain as much control over the world around them as they could, using whatever means (scientific and faith-based) at their disposal.
            H: After The Cataclysm (a massive global war instigated by the Society discovering that humans weren’t the only inhabitants on the planet and the Mythics taking exception to the amount of power said humans were amassing without understanding just what they were messing with), the world was in shambles. The Society and Mythics both suffered massive casualties and society had to reset itself. The relics were mostly lost or collected by Mythic guardians (like Nemesis) and largely kept out of the hands of humans (and other Mythics) to prevent another war.
            R: The Society took exception to this and set their sights on the ones they held responsible for their losses, the Mythics, whom they considered abominations. And so the battle began anew, this time, not just for the relics, but for the eradication of these non-humans who have abilities that set them apart from the humans around them. When religion declined in importance after the Cataclysm, the Society decided that science was the answer and so set out to do what they could to either elevate humanity to the level of the Mythics, or wipe out Mythics entirely.
            H: The fly in their ointment right now is that humanity, by and large, doesn’t despise the Mythics as much as they do. So when the Society discovered the whereabouts of a huge stash of relics (in the first book, Minutes To Midnight) it was the missing piece of their puzzle and they grew one step closer to their goal. Without giving anything away in Hand of Time, their agenda remains the same: improve humanity at the expense of the Mythics through subterfuge, misdirection, and outright manipulation. The more humans they can get on their side, the more they can expose this Mythic menace… the better their odds of gaining that power they crave.


Do you have any world-building tips for anyone interested in writing urban fantasy (or speculative fiction in general)?

            R: Let your imagination wander in the direction of the world that you want, try to stay true to that idea of what you want that world to be, and once you feel that you’ve fleshed it out enough you have to be able to present it to someone to see what they believe. There might be certain parts you need to rein in or push/develop more, that’s the great part about writing with someone else, because they see those needs, and it’s good to have someone with as vivid an imagination as you. But there has to be a sense of realism in there, no matter how crazy your world might be because if people don’t believe in your world you’re going to lose them.
            H: Don’t get bogged down in the minutiae unless it’s absolutely integral to your story. Give your readers a chance to fill in details, to let them make the world their own. But the parts you’re certain they’re going to care about? Make sure they make sense. Description is great, but remember that you’ve got a story to tell too.

What types of stories or characters would you like to see more of in this or any other genre?

            R: The true alpha female, dynamic characters: ones that you can truly feel for, and characters that are a little more abstract, outside of the box.
            H: That’s one of the things I love most about fantasy and urban fantasy. The sky is really the limit as to what sort of characters you can create, what sort of stories you can tell. I, too, would like to see strong feminine characters spotlighted, but I’m not discounting the guys at all. I guess I just really like to see fully fleshed out characters and stories that don’t leave me wanting to throw the book (in a bad way) against the wall.

How did your path to indie publication unfold, and do you have any advice for those who might follow that route?

            R: It was a series of fantastical events: we both wanted to write a novel, Hollie started hers and got to a point where she lost her muse, and then I got to a point where I wanted to write, so I started writing. And then she wanted to write again. So we got all that together. She did all the research for finding out the ground level of what we needed to do, amazon.com helped out a lot. If it wasn’t for them, I don’t know what we would’ve done. And then there’s the research that led to Createspace and so on. It does take money, though, even as an indie publisher to get your work out there. If you don’t have at least a little capital, it’s like … it’s a hope and a prayer. I mean, there’s twitter and Facebook, and you get the people who say it sounds interesting but don’t actually read it, and then you generate that buzz because you have so many people talking about you in so many different areas that makes you buy your writing. Once they get it, it’s all about your writing because if your writing isn’t good, they aren’t going to keep reading no matter how good your story might be.
            H: Bottom line? We wanted to maintain creative control. Yeah, it’d be awesome to be published by a big name, but there’s good and bad to both paths. You have to do your research, don’t be afraid to ask questions, and network, network, network! Try new things, don’t undervalue yourself as a writer. Make sure your work is solid before putting it out there and your writing will speak for itself. Also? Be patient and be persistent. That’s been the hardest lesson. Yes, there are overnight successes out there in the IP world, but by and large? You have to get used to not getting the immediate feedback you want, not selling a million copies overnight. You really have to love writing and putting yourself out there to Indie Publish. Not everyone is going to be a fan, but at the end of the day? It’s worth it to be able to say, “Look what I did!”
            And seriously, don’t discount social media. But don’t turn your twitter into a nonstop ad-feed. Let people get to know you as a person and they’ll be much more likely to read your work.

What are you working on next? Will there be more Nemesis novels?

            R: Book 3 for the Nemesis Chronicles, as yet untitled. Yes, there will be more. I’m the type of person that if I like the character(s), I like to see them in many different situations, be it on this world or others. I have threads built in where I can go to different dimensions and planets, because I don’t want anything to become stale. I know that if I get bored with it, the readers will be bored by it, so it’s one of those situations where things are always changing.  
            H: I’m also working on a side project that, right now, I’m not sure if it’ll be an ongoing novella series or a novel one. It’s outside of the world of Nemesis, so it’s a bit of a different flavor, still urban fantasy with a touch more sci-fi than magic. And heck yeah, there’s definitely going to be more Nemesis novels! We have so many stories to tell, so many different characters to follow… it’s definitely going to continue on.

Thank you so much for answering our questions! 


Hand of Time
The Nemesis Chronicles, Volume 2
H.R. Jackson
Genre: Urban Fantasy, Paranormal Romance
Publisher: Geek Treats Collective
Date of Publication: April 20th, 2013
ISBN: 1484125509
ASIN: B00CFWYO3K
Number of pages: 352
Word Count: 154,224
Cover Artist: Robb Lombard



Book Description:

Morgan... Three months after the events of Vegas turned her life upside down, she's finding that getting back to normal is anything but easy.

Dirk... Trapped between juggling his new responsibilities and making Morgan understand his feelings, the former courtesan is discovering that letting go of the past is much harder when the past refuses to let go of him.

Nemesis... Still reeling from the Society's attack, they find themselves facing a familiar foe and a new menace hellbent on testing their fortitude.

Midsummer madness heats up Nemesis Island. It's a time of celebration and renewal, but the Society has other plans... with Dirk, Morgan, and the rest of Nemesis at the top of their list.



Excerpt from Dirk’s POV:

“I’m fine, Dirk.” She wasn’t and we both knew it, but I wasn’t about to press the issue.
I let out a frustrated sigh. “I’ll go see if my father has a shirt or something he can lend me to wear.”
“Good idea,” Morgan said, starting a slow pace in front of the terrace doors that reminded me of a tiger restlessly circling its enclosure. She sounded distracted and the concern I’d already been fighting to keep from spilling all over her nudged its way back to the surface of my demeanor. I wanted to scoop her up and port back to my home, tuck her into bed and remind her of my stellar bedside manner. But as she made another pass across the doorway, I could see the limp in her step easing, slowly, until her strides were sure and smooth. Her body was healing.
Ah well, I thought, there’s always next time. Although, I really hoped there was a very long interval of non-injury between them full of bedside activities that were infinitely more fun.
“And shoes,” I added, curling my toes against the cold, damp hardwood floor as I glanced down and finally got a good look at the damage. My pajama bottoms were soaked through with rain and had clearly seen better days. My skin was grimy with sweat and blood, the mottled green and yellow of my healing bruises slowly fading.  “Gods. I look like a war refugee.”
“What’s wrong with being shoeless?” asked Bree, looking up from where she’d been hunched over, studying the Pithos. She stretched out one of her naked feet, her expression all ruffled feathers and huff. “I prefer it. Helps with my Credomancy.”
Opening my mouth to apologize, I was stopped when Betty strolled back into the room. She’d disappeared down the stairs after leaving us and it looked like she’d been busy raiding my father’s closet. One arm was laden in textiles, an expensive looking auburn and charcoal three piece suit on a hanger dangling from the fingertips of her free hand.
“Morgan,” Betty let the name roll off her tongue, her brogue giving it a delicious quality that almost made me jealous. “Why does that sound familiar?” she mused, stopping in front of me and thrusting the garments into my startled grasp.
A flash of black around her throat gave me pause to stare and suddenly, I understood what my father and Sam had been talking about when they’d mentioned Betty answering their call. My father had long employed a specialized group of bodyguards as his security detail, scattered all across the globe, acting as his eyes and ears. His Ravens, he called them, and they all sported the same tattoo as an indicator of their allegiance to him. My eyes drifted to Sam. She had received hers shortly after our hookup.
I wondered if my father’s interests ever conflicted with those of Nemesis.
“Why does what sound familiar?” Morgan murmured, still pacing.
“I can’t quite place it…” Betty’s eyes widened and she did a slow turn, snapping her fingers in Morgan’s direction. “Wait. Wasn’t that the name of your horse?”
“Betty.” I knew that tone. Morgan didn’t want to talk about it. Based on Betty’s delighted expression, she was going to poke the bear until it snacked on her. I didn’t know if I wanted to be present for the carnage. Betty’s grin widened and Morgan’s glower scrunched her face until I wanted to kiss it.
“What are you talking about?” I couldn’t help it. I had to know. I felt like I’d been left out of a private joke, and I wanted in, damnit.
Betty trilled out a laugh. “Och, you mean she hasn’t shared that with you? Well now, doesn’t that make me feel all special.”
“It hasn’t come up,” Morgan stilled and focused her glare on Betty. “It’s a moot point anyway.”
I knew that names held power within both our cultures, but it was the first time I’d ever heard Morgan called by an alias and I was intensely curious to know why she’d changed her name. I knew she had a history, one that I’d apparently not even scratched the surface of discovering, and I’d take Betty’s rendition of things over nothing at all.
My gaze swung to Betty. She didn’t say a word. I narrowed my eyes at her. She dissolved into a fresh round of laughter that practically lit up the room. “Fine. Since Dirk insists. Let me procure a little story for you. Once upon a time, in a land far, far away, there lived an Amazonian Princess named Airlea. She was fiercely beautiful, fearsome on the battlefield, and more than skilled between the furs. She had this thing she liked to do with her tongue –” Morgan crossed the room in three strides and clapped a hand over Betty’s mouth as my eyebrows rocketed to the ceiling.
“So help me, Betty,” Morgan said in frosty, clipped tones, “I’ve half a mind to shove something in your mouth to shut you up. If you wouldn’t like it so much.” Betty wiggled her eyebrows at me from above Morgan’s hand and I couldn’t help but chuckle. Reaching out, I pried Morgan’s fingers away from Betty’s face and dusted a kiss against their tips. Morgan responded by pulling away and punching my arm in protest.
“Oh come now, you know how I love a good story,” I grinned, rubbing my arm. If it took a little pain to get what was promising to be an amusing-as-hell insight, I’d take my lumps gladly. “Please continue, Betty.”
“Long story short,” Betty resumed the second her mouth was free, ignoring Morgan’s warning scowl, “it appears someone decided it was time for a name change. Honestly, Morgan, if I didn’t know any better, I’d swear you were trying to avoid me altogether.”
“Maybe I was.”

Excerpt from Morgan’s POV:

Sam was a flash of Cimmerian shade, her outfit matching her blackberry hair as she zigzagged through the dense forest with the fluid grace of a gazelle with a lion on its tail. She played hide-and-seek with the shadows, and I was having a hell of a time keeping a bead on her. Bursting through the pines and out into a large clearing of short grass, I spanned the distance between us, waylaying her with an aerial kick to the back that sent her tumbling forward into a combat roll with an explosion of breath. Springing to her feet before she came to a full stop, Sam pivoted into a roundhouse kick that I barely dodged, my fist aiming directly for her jaw.
She deflected the strike with the momentum of her spin, managing to avoid my follow up kicks, before rushing in to clip my chin with her elbow. The shockwave from the sharp hit almost made me bite my tongue, pain spiking down my jaw and into my neck. Capturing my next jab, she used my kidney as a speed bag before I managed to retreat with a grunt of rapidly mounting irritation. Regrouping quickly despite the ache in my side that threatened to drop me, I lashed out with a flurry of fists and feet, hoping that sheer speed would somehow get past her defenses.
Sam expertly blocked and dodged everything I threw at her before unexpectedly stopping my forward inertia with a hard palm to the chest that sent me reeling back gasping for air as my lungs forgot how to work.
Breathing is highly overrated anyway.
In the two months since I’d joined Nemesis, I’d had many occasions to spar with Sam, the current head of the group and perpetual pain in my ass, but never at quite this intensity. With the exception of Sam’s fraternal twin, Tequila, no other member of Nemesis understood the training style I’d grown up with in my Amazonian tribe. It was a brutal, no holds barred, out for blood mode of fighting, meant to test our skills, to keep them as honed as our blades. But there was a fine line between training and the outright brawl this session was quickly turning into.
And damned if I didn’t have the first clue as to what set her off this time. But then, getting a read on Sam was like trying to capture smoke with a sieve. Holding back, she eyed me as we circled one another slowly.
She and her sister had been raised outside the tribe until they were fifteen by their mother, the former Queen Antiope. Both were formidable fighters in their own rights, thanks to her guidance. Tequila, the resident healer of Nemesis, had come back to her Amazonian roots, while Sam decided to serve with our shield-sisters the Valkyrie, before they were both recruited into Nemesis’ ranks. Where her sister was exceptionally skilled in the healing arts, Sam’s abilities resided in tactical strategy and a natural talent for Psychomancy.
I deflected another whirlwind of strikes and growled, dancing out of the way. Over the years, my experiences going toe-to-toe with Psychomancers had shown me they generally resorted entirely on fighting with their mental acumen, relying on telekinesis and telepathy to swing the odds in their favor.
But Sam had elevated it into an art form, wielding both blade and brain with the ferocity of a woman possessed and the skill of an accomplished warrior. She’d managed, numerous times, to make even me question if I’d somehow become dumb and clumsy, and I’d been swinging swords since before she and her sister were even a twinkle in Antiope’s baby blues.
Truth be told, this fight had been a long time coming. It wasn’t that I didn’t like Sam, per se, but I was unaccustomed to being bossed around, even if I understood the hierarchy as it stood within Nemesis. I wasn’t used to being the puella, the rookie. It rankled me, getting under my skin like a sliver of glass.
Sam motioned for me to attack, egging me on with a gesture. I hung back. She was baiting me. My eyes narrowed.
When she’d suggested we ‘take it to the wood line’ after our most recent verbal altercation, I was more than happy to oblige, despite wishing her timing had been better. We had a house full of reveling Amazons, Valkyrie, and other guests for Midsummer celebrations, and I had a gala date later that evening with Dirk. I’d been dragging my feet about it all day and that black cloud had gotten me into this predicament.
Still, it felt good to take out all of the pent up frustration and worry on someone who’d been an absolute thorn in my side for the last two months, even if she was making me wonder if this was going to end with one of taking a one-way trip to Bella’s morgue. The gnawing sensation of impending disaster intensified when Sam reached for her blade, a scarily grim and focused expression smoothing the lines on her face into an impassive mask. I immediately followed suit, loosing Aduro from her scabbard and pulling her free with a single smooth movement.
The slow circling continued and I knew she was waiting for an opening. The ground below me was springy, damp from the perpetual moistness that helped to keep the Emerald City its lovely verdant hue. It was a hell of a drastic change from the Vegas citadel’s sandy sparring fields, but at least it wouldn’t hurt as much to get knocked down.
And with the way Sam kept eyeballing me, I knew one of us was going to end up ass over teakettle soon.
What the hell is with her today? I hadn’t realized that telling Sam I had plans for the evening that didn’t include sitting through another boring debriefing warranted this kind of ass kicking.


About the Authors:

Once upon a time, a man and a woman looked at each other and asked, “Why aren’t we writing this down?”

Inspired by Sci-Fi and Fantasy, with a healthy appreciation of all manner of geekery, they longed to create a world where sword, sorcery, and a little sprinkling of real life could come together. With this in mind, the pair sat down and started the stories that would eventually become The Nemesis Chronicles.

When they aren’t weaving fantastical tales, they spend their time being owned by the Feline Mafia and watching the rain fall in their home city of Seattle.

Find them on the web:

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Wednesday, November 28, 2012

Urban Fantasy Perspectives: Suzanne Johnson

I'm very excited to present today's interview with urban fantasy author, Suzanne Johnson. Check out the latest installment of her Sentinels of New Orleans series, River Road, and enter to win one of several fabulous tour prizes through the form at the end of the post.



Welcome Suzanne!

Thanks, Ella—it’s great to be here!

Tell us a little but about the heroine of your Sentinels of New Orleans series, Drusilla (DJ) Jaco.

DJ is a wizard who grew up in New Orleans. She knows she’s not the strongest wizard on the block—no one would ever describe her as kickass, but she can handle herself pretty well. She’s creative in her problem-solving, which often lands her in hot water with the wizards’ Elders, but her methods usually work. Her biggest weakness, but also her biggest strength, is that she leads with her heart rather than her head. It means she ends up in some bad situations, but she always does things for the right reasons. She’s funny and resourceful, stubborn and snarky. She’s been through a lot but came through it stronger. And did I mention she has elven blood on both sides of her family? It gives her some interesting skills.

DJ is a Green Congress wizard, while her mentor, Gerry, is a Red Congress wizard. Can you explain the difference between these two types of magic users?

In the Sentinels series, the wizards are organized into four Congresses, based on the type of magic they’re most skilled in. An org chart would show the Elders at the top, then the heads of the four congresses, then the members of the four congresses, and then the wizards whose skills aren’t strong enough for them to be congress-certified. Red Congress wizards like DJ’s mentor are good at physical magic, so they tend to be the fighters/soldiers. Green Congress wizards like DJ are good at ritual magic—potions, work done with summoning circles, etc. It’s effective magic, but takes a lot of prep time. They’re the geeks of the magic world. There’s also the Blue Congress (illusion magic) and Yellow Congress (mental magic), which we’ll see more of later in the series.

What are your favorite preternatural creatures to read or write about?

With River Road, I had great fun with the merpeople. They’re aquatic shapeshifters who are born, not made. And they’re Cajuns mainstreaming in the Louisiana fishing industry (sort of cannibalistic, right?). Currently, I’m doing final revisions on the third book and I’m really loving the Elves. I enjoy taking old mythologies and putting new spins on them. These are NOT Tolkien’s elves.

The historic undead in your novels are an interesting new twist on ghosts and zombies (not quite falling into either category). How did this idea come about?

When I was writing the first book in the series, Royal Street, I really was trying to pay homage to my beloved New Orleans, dealing with my own leftover issues from Hurricane Katrina. New Orleans has such a rich history that I wanted famous New Orleanians like the pirate Jean Lafitte and voodoo priestess Marie Laveau and jazz great Louis Armstrong to have roles in the book. I began looking for a way to bring them in as real characters and came up with the idea of the historical undead—famous humans given immortality through the magic of human memory. The more famous they are and the more people remember them or know who they are, the longer at a time they can spend time outside the otherworld, the Beyond, and in our world. They can eat, drink, and even have sex (or at least the pirate Lafitte claims this is so).

If you could summon any historical figure to hang out with for a day, who would it be?

He’d probably scare the crap out of me, but I’ve become totally fascinated with the French pirate Jean Lafitte, the last great pirate of the Gulf and Caribbean. He was a very powerful and complex man—smart, persuasive and charming, yet also ruthless and cunning. Calculating and arrogant, but also emotional and even sentimental. He ruled over a city of a thousand pirates, ruffians and their families in the wetlands south of New Orleans. I’d love to see what he was really like after reading so many biographies of him and trying to make him a three-dimensional character in my books.

I know that you've lived in New Orleans for quite some time, so it's no wonder you chose it as the setting for the Sentinels series. How important was it to you to stay true to the city's history, including the Katrina disaster, and is there anything you tweaked to suit the needs of your stories?

No tweaking—that was the rule I gave myself when I wrote Royal Street. I took some heat from reviewers for the slower pace of the book, but I was determined that if I wrote about Hurricane Katrina and what New Orleans was like immediately afterward I was not going to flinch away from it. I wasn’t going to make it better, or make it easy for my characters to live there, or change the facts to suit the story—even when everything had to grind to a halt three weeks after Katrina when Hurricane Rita pushed through and reflooded things.

Staying true to New Orleans was a promise I made to myself, and I was gratified that every New Orleanian who’s read the books comment on how they capture the post-K city so well. I moved the timeline for River Road to three years later so that my characters could come out of hurricane survival mode. It took that long for things to even begin feeling a little normal. So River Road moves faster, is funnier, and really sets the tone for the rest of the series. A chunk of the book is set in Plaquemines Parish southeast of New Orleans, so a portion of the proceeds from the book’s sale is being donated to the Greater New Orleans Foundation for their oil-spill relief fund. That area continues to suffer from the impact of the 2010 oil spill as well as from Hurricane Isaac earlier this year.

That is so wonderful and generous of you, Suzanne!

What is your favorite hometown food or drink?

New Orleans has amazing cuisine, and I don’t think I could pick one favorite! I love oysters. Baked, grilled, fried, cooked into stuffing…you name it. Crawfish bread. Jambalaya. Muffalettas. For dessert, it’s lemon or caramel doberge (or half-and-half) from Gambino’s—Google it. It’s to kill for.

You write both urban fantasy and paranormal romance (as Susannah Sandlin). How does your process differ between working with each of these genres?

The two genres are closely related from a reader’s standpoint but from a writing standpoint, they’re polar opposites. The urban fantasies are first-person from a single point of view, they focus on an external story that needs to be at least partially wrapped up by the end of each book, they have a lot more humor, and the relationships carry over from book to book. The paranormals are third-person from multiple points of view, they focus on a relationship that needs to be wrapped up by the end of each book (each book has a different hero/heroine), they are darker, and the external story needs to develop but carries over from book to book. So they are really very different types of genres to write. My writing process is the same, but my mind has to be in a completely different zone.

What types of stories or characters would you like to see more of in urban fantasy?

I’d like to see better use of settings in UF; a lot of them are set in real cities but you could pluck them up and stick them in a different city without changing the story, which seems like wasted opportunity to me. I’d really like to see more guys reading and writing urban fantasy. It bothers me that it’s seen increasingly as a “woman’s genre.” I think we’re moving away from kickass heroines who can do everything, and that’s a good thing for the genre.

You've got your fingers on the pulse of genre fiction in some pretty influential publishers. Do you have any advice for those interested in writing UF/paranormal novels, or any predictions about where the genre is heading?

It’s a really tough market right now. Really tough. The adult UF/paranormal field is crowded and because publishing is in such flux, the bigger publishers are taking fewer chances and aren’t always providing much in the way of marketing for their authors. Yet with a few exceptions, authors who jump right into self-publishing or sign with startup e-publishers are finding it hard to make themselves stand out in the marketplace and sales are really low. I sure don’t have any answers. Staying published is as hard as getting published.

Whatever route you seek to publication, I think the key to writing genre fiction is finding a fresh spin on what you love and not worrying about the market too much. Sci-fi romance and paranormal romantic suspense are rising stars right now, but by the time you write one, the market could shift and historical paranormals could be on the rise. YA paranormals have been the hot genre for the past few years, but now we’re seeing a shift toward contemporary YA. The success of Fifty Shades has everyone trying to churn out erotic romance, and that genre’s getting glutted. So I think you have to not try to second-guess the market. Take the genre you love and work to find a fresh spin on it. Then just write a good book and see where the market is once you have it ready to submit.

Thanks so much for taking the time to answer my questions. Best of luck with the series, I'm really enjoying it so far.

Thank you, and thanks for having me here, Ella!

River Road
Sentinels of New Orleans, Book 2
Suzanne Johnson

Genre: Urban Fantasy
Publisher: Tor Books
ISBN: 978-0765327802
ASIN: B00842H5VI
Number of pages: 336
Word Count: approx. 92,000
Cover Artist: Cliff Nielsen

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Book Description:

Hurricane Katrina is long gone, but the preternatural storm rages on in New Orleans. New species from the Beyond moved into Louisiana after the hurricane destroyed the borders between worlds, and it falls to wizard sentinel Drusilla Jaco and her partner, Alex Warin, to keep the preternaturals peaceful and the humans unaware. But a war is brewing between two clans of Cajun merpeople in Plaquemines Parish, and down in the swamp, DJ learns, there’s more stirring than angry mermen and the threat of a were-gator.
 
Wizards are dying, and something—or someone—from the Beyond is poisoning the waters of the mighty Mississippi, threatening the humans who live and work along the river. DJ and Alex must figure out what unearthly source is contaminating the water and who—or what—is killing the wizards. Is it a malcontented merman, the naughty nymph, or some other critter altogether? After all, DJ’s undead suitor, the pirate Jean Lafitte, knows his way around a body or two. 

It’s anything but smooth sailing on the bayou as the Sentinels of New Orleans series continues.


About the Author:

Suzanne Johnson writes urban fantasy and paranormal romance from Auburn, Alabama, after a career in educational publishing that has spanned five states and six universities. She grew up halfway between the Bear Bryant Museum and Elvis' birthplace and lived in New Orleans for fifteen years, so she has a highly refined sense of the absurd and an ingrained love of SEC football and fried gator on a stick.








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Wednesday, June 27, 2012

Urban Fantasy Perspectives: Luna Lindsey

I had a great time interviewing author Luna Lindsey for this installment of Urban Fantasy Perspectives. Pick up her new title, Emerald City Dreamer, and look out for future books in the Dreams By Streetlight series.



Welcome Luna!

Hi Ella. Thank you for this interview.

What drew you to write urban fantasy, and do you have any favorite books or authors in the genre?

The genre is about much more than vampires and werewolves and sexy detectives. It’s about viewing modern life through the lenses of metaphor and exaggeration. For example, many people feel like they don’t fit in. Monsters of myth don’t fit in here, either. We can explore what that means by reading and writing fiction.

My favorite urban fantasy tends to be the older works, before it became a whole genre to itself. Like Interview with a Vampire by Anne Rice and Agyar by Steven Brust. The genre seemed to be less fluff and more stuff back then. I also tend to like urban fantasy with faeries; also anything with new interpretations of angels and demons. I think of Brom’s Child Thief and Mark Ferrari’s Joby, as well as books by Neil Gaiman and TV shows like Supernatural.

What’s your process like when you begin a novel? Does the premise or characters come first?

Usually the premise. My favorite part is worldbuilding. I’m in the process of building several worlds – One I’ve worked on for years started with the premise: What if Carl Jung’s ideas in psychology had won over Sigmund Freud, and history was altered forever? I still have no characters for that one. As I think up the rules for the world, the characters come along and want to play by those rules.

Do you have any world-building advice for anyone interested in writing urban fantasy?

Start with a premise. The best place for ideas I find is science, especially biology. Folklore is also extremely rich with stories and ideas. Many cultures and ancient stories are completely untapped.

Start with the premise and answer questions to flesh out the world. For example, “What if the cannibalistic Wendigo were real?” Research the myths. Then ask lots of tough questions. Why have scientists not discovered the Wendigo? How does it survive? If it eats people, why aren’t there more missing people and murder investigations? What are its motives and goals? Is there just one, or many? How does it reproduce? The answers to each question will spawn new ideas and tougher questions – maybe Wendigoism is caused by a virus or a genetic mutation, but their blood contains the cure for cancer. These are all opportunities to develop a richer, deeper world that will feel believable. It will also generate conflicts that will be seeds for your plot.

Your Dreams by Streetlight series puts a unique spin on faeries as urban fantasy creatures. Please tell us a little bit about the fae in your books.

Faeries to me represent dreams and stories: the essences of creativity. They are distilled extracts from our own subconscious minds. Be they dreams or nightmares, they have one thing in common: They are irrational, following rules that only they can understand. There are seelie and unseelie (good and evil fae), but even these lines are blurry to the human understanding of morality.

Nykks are faerie spirits with no bodies. The rational human mind will resist “seeing” them, so they can be sensed only partly with the eye – the rest is seen with the mind, so can easily be passed off as a hallucination.

The faeborn are nykks who choose to be born into human bodies. These pass as human. Their fae natures are even more difficult to sense than nykks.

There are a lot of types of faeries, from little brownies and sprites, to giants and trolls; from the beautiful to the grotesque to the horrifying.

What are dreamers, and what do they provide to the fae?

The fae were born of dreams. They need dreams to survive. Dreamers are humans with exceptional talents in the arts.

Think of flowers producing nectar, and bees turning that into honey. Every time a dreamer writes a story or paints or composes a new song, she gives off a type of energy called toradh (“tor-ah”, a Celtic word). The fae consume toradh. Glamour is a byproduct which can be used by humans and the fae for magic.

Can you give us a little background on your heroines, Jina and Sandy? Why did they become faerie hunters, and how have they learned to fight them?

There is a prequel to Emerald City Dreamer called Make Willing the Prey. It’s more of a horror story than urban fantasy. In that, Sandy and Jina are lured into a deadly game by an imp named Haun. They manage to escape, but so does Haun. Emerald City Dreamer starts several years later, and Sandy has vowed to fight Haun and all his kind. She is the studious type, and at the beginning of the novel, the most she’s really done is research and experiment.

Jina lets Sandy lead the secret society, and helps recruit other hunters. But it seems like all Sandy ever does is talk and prepare, until Jina begins to question Sandy’s leadership skills.

The story contrasts how the two women have dealt with their trauma, and how ready they are when it comes time to get their hands dirty.

Who is your favorite bad guy/gal in Emerald City Dreamer and why?

Jett. For the exact same reasons why I hesitate to call her a bad guy. Jett is a protagonist acting antagonistically… or is she an antagonist acting protagonistically? Either way, she’s a faerie, and as such, her actions and motives are unpredictable.

How does your version of Seattle differ from the real thing, and why did you choose that location?

I love Seattle. It’s another reason why I decided to write urban fantasy, because I wanted to share my excitement for this place with others. In some ways, I wrote Seattle herself as a character, living constantly in the background, breathing her own life into each scene. I wrote about real places, and often kept their names or changed them only slightly. Emerald City Dreamer could easily have happened in May of 2009, while the rest of us were busy obliviously living our own lives.

Any hints about what we can expect for the rest of the series?

I’m doing the first round of revisions on Emerald City Hunter now. Sandy’s nemesis, Haun, will continue to haunt and evade her. Sandy and Jina will continue to grow. Jett has grand designs. Expect intrigue to get a bit more political over the next couple of books as Jett chases her goals. You will definitely see more fae. And after Emerald City Hunter, we just may see an older faerie hunting society show up and try to throw their weight around…

Are there any types of stories or characters that you’d like to see more of in speculative genres?

More strong women, minorities, and sexual minorities. Fewer tropes and more trope-twisting. I like stories to surprise me. Especially in urban fantasy, I’d like to see more “idea stories”, more intricacy in the worlds, and more depth to the stories.

What do you feel are the advantages and/or disadvantages of self-publishing these days?

It’s hard to say what the publishing industry will look like in ten years, but I love being part of the process. The advantages are clear: It allows more experimentation and more niches. It gives more authors voice, and allows readers to be a larger part of the selection process for what succeeds and fails.

The disadvantage is that some writers may not shoot for a minimum level of quality in their work. It takes lots of “bad writing” for most authors to gain skill. Many authors publish the first things they write, which floods the market with unprofessional work.

I think that will all sort itself out soon. A local group here called the Northwest Independent Writer’s Association has a few ideas for setting minimum standards of professional behavior and quality writing, including a Seal of Quality program they’ve just started. Other organizations are gaining traction as well, like the Association of Independent Authors.

Do you have any predictions for urban fantasy trends we might see in the future?

It will likely be influenced by its sister genres. Like any good story, the popularity of genres themselves seem to follow patterns of emotional ups and downs… Dystopian fiction may cause a backlash and we may want something more upbeat for a while. We may see a short period of increasingly dark themes in UF, followed by increasingly bright and optimistic themes. Perhaps we’ll see less about fighting monsters in the real world, and more about magic’s power to uplift the human condition. The upside of writing about faeries is there is plenty of material for both.


Emerald City Dreamer
Dreams by Streetlight Book One
By Luna Lindsey

Book Details
Word count: 124,000
Genre: Urban Fantasy
Amazon Kindle Price: $3.99
Available from amazon.com, amazon.co.uk
ASIN: B007L9CTEI

Here's the blurb:
Jina and Sandy survived the unthinkable. Now they've set up a secret Order in Seattle to fight the impossible - fairytale creatures born of human nightmares and nourished on dreams. Their tools: iron, lore, science, glamour, and support groups. As beginners, without access to the ancient societies of faerie hunters, they must rediscover how to protect themselves. And in order to fight the fiends of the world, Sandy must take control her inner ghosts.

As a dreamer in a rock band, Jina unknowingly feeds the fae and attracts unseen enemies at every turn. Now, they're finally on the tail of at least one dark monster bent on evil. She is a dreamer, so she must follow her heart - but which way does it lead?

Jett is an elf who only wants to protect her hodge-podge clan of faeries from the encroaching world of science and religion - which have systematically slaughtered her kind and the beliefs that gave birth to her people. True dreamers are rare beings, and when she finds them, she does everything she can to protect them and claim them as her own.

Ezra is a teenager who never feels comfortable in his own skin. Most people like him well enough, but when he looks in the mirror, he sees a demon. He has been taken in by the Garbage Eaters, who expect obedience and purity. Before long, he suffers a crisis of faith that may lead him into real danger.

Delve into this deeply developed, internally consistent world of the fae, and meet beings who are simultaneously alien, elegant, and terrifying, fueled by dreams and the creative energy of artists. Glimpse the secret world of Tir Nan Og through the eyes of fully fledged four-dimensional characters living in a Seattle that is just a bit weirder than you think.

This is a story with psychological depth, a page-turner with unexpected twists and turns.

When prey hunts, who will lead the chase, and who will run?

Buy at Amazon: http://www.amazon.com/Emerald-Dreamer-Dreams-Streetlight-ebook/dp/B007L9CTEI

YouTube Video Author Reading of short story Right After Feeding Time: http://youtu.be/0q-ckzF0Jyw

Luna is an indie author located in Seattle, WA. Her first story (about a hippopotamus) crawled out of her head at the early age of 4. Her mom had to write it down for her. After running out of things to say about hippopotami, she switched genres to sci-fi, fantasy, and horror. During a ten-year break from fiction, she primarily wrote non-fiction and became an accidental expert on mind control, computers, and faeries. After returning to fiction in 2010, she now publishes ebooks and seeks publication in short story markets. She has written over thirty short stories and three novels.



Website and Blog: http://www.lunalindsey.com

Facebook Author Link: http://www.facebook.com/LunaRLindsey

Amazon Author Link:  http://amazon.com/author/lunalindsey   







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